Glen Weldon

Glen Weldon is a regular panelist on NPR's Pop Culture Happy Hour podcast. He also reviews books and movies for NPR.org and is a contributor to NPR's pop culture blog Monkey See, where he posts weekly about comics and comics culture.

Over the course of his career, he has spent time as a theater critic, a science writer, an oral historian, a writing teacher, a bookstore clerk, a PR flack, a seriously terrible marine biologist and a slightly better-than-average competitive swimmer.

Weldon is the author of Superman: The Unauthorized Biography, a cultural history of the iconic character. His fiction and criticism have appeared in The New York Times, The Washington Post, The New Republic, The Atlantic, Slate, Story, McSweeney's, The Dallas Morning News, Washington City Paper and many other publications. He is the recipient of an NEA Arts Journalism Fellowship, a Ragdale Writing Fellowship and a PEW Fellowship in the Arts for Fiction.

Alyssa Edwards (née Justin Dwayne Lee Johnson) is a lot.

She has to be; she's a drag queen. Being a lot comes with the lace-front wig. A drag queen who isn't a lot is no drag queen at all; she's food without flavor, art without color, Cher without Auto-tune. It's the difference, more specifically, between a fierce and fabulous queen like RuPaul and that one jock in high school who slapped on a Halloween store wig and stuffed himself into his girlfriend's cheerleading outfit for school spirit day.

You know that joke-ish, brain-teasery thing about the doctor who says "I can't operate on my own son," but you're told the doctor isn't the patient's father, and the answer turns out to be that the doctor is a woman? It works, to the feeble extent it does, because it rests on our unconscious, culturally programmed preconceived notions — the kind of sexist background radiation that bombards us every day. You just assume the doctor is a man, for no clearly definable reason.

Fall is often the most intense movie season of all. Awards contenders begin to come into focus after the Toronto International Film Festival, while comedies and thrillers continue to hit screens. We got to see a lot of upcoming films at TIFF — below you'll find write-ups of 15 movies we really enjoyed and a heads-up about nearly 40 notable releases.

Disenchantment, Matt Groening's new animated series that hits Netflix on Friday, August 17th, does for our mythical past what Futurama did for our imagined future, but it does so in a manner so closely reminiscent of that other show's wryly cynical sci-fi hi-jinks that it could have just as easily been called Pastarama, if that didn't sound quite so much like a seasonal promotion at Olive Garden.

In a letter to its members sent this morning, the Academy of Motion Picture Arts and Sciences (AMPAS) listed three changes approved by its Board of Governors.

1. A three-hour Oscars telecast

We are committed to producing an entertaining show in three hours, delivering a more accessible Oscars for our viewers worldwide.

Charlotte Rae, who died Sunday at 92, was a seasoned performer by the time she landed the role of matronly housekeeper Mrs. Garrett on the NBC sitcom Diff'rent Strokes in 1978. She'd done musical theater, including Li'l Abner in 1956 and Pickwick in 1965. She'd released an album of satirical songs in 1955, and played Sylvia, the wife of Al Lewis' character, on Car 54, Where Are You? from 1961-63.

Friday evening, as word got around that Steve Ditko had died, the encomiums that bubbled up across the usual social media platforms assumed several distinct shapes. The reclusive comics artist and writer who co-created Spider-Man, Doctor Strange and a handful of other, lesser-known comics heroes beloved of only a hardy few (hi!), had clearly touched many nerdy lives, albeit in different ways.

This week, with Linda off galavanting around New York, Stephen and I are joined by the great and good Margaret Willison and Chris Klimek to discuss a certain quiet, subdued and exceedingly well-mannered topic that somehow we hadn't yet gotten around to: The Paddington films.

Call them the Mighty Marvel Movie MacGuffins. They're the glittery objects that drove the plots of several individual Marvel movies and that collectively shaped the direction the entire Marvel Cinematic Universe has been heading (almost) since its inception.

They are the Infinity Stones — immensely powerful gems that contain and channel elemental forces of the universe. They're what the villains crave and what the heroes protect. They can be used to destroy or create.

Mmmmmostly that first thing.

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The first book of the Harry Potter series went on sale in the U.K. 20 years ago today. It offers a convenient excuse to reacquaint yourself with a world before anyone on this side of the Atlantic had heard of muggles, horcruxes or pensieves, before tourists would crowd into London's Kings Cross railway station simply to peer wistfully at the space between Platforms Nine and Ten.

Here's the first story NPR ever aired about Harry Potter — a wonderful piece by the late Margot Adler, from All Things Considered in 1998.

Some gems, from that bygone era:

"Why is a welder like a woman in love?"

I'm 7 years old, standing between the two dogwood trees in my backyard. It's autumn; there's a crispness in the golden, late afternoon air. I've taken the hood of my parka and thrown it over my head, but my arms are not in the sleeves. The coat falls over my narrow, bird-boned shoulders and down my back.

Like a cape, you see.

This year, Free Comic Book Day turns sixteen years old.

The good news: It can drive itself to swim practice now!

The bad news: When you ask it to drive its younger siblings Record Store Day and Independent Bookstore Day to Gymboree it'll give you THAT LOOK IT GETS and spend the rest of the day sulking.

Here's the gist: Walk into a comic shop this Saturday, May 6, and you'll get some free comic books.

Robert Silvers, whose long career as an editor included terms at The Paris Review, Harper's and, most notably, as co-founder of The New York Review of Books, died Monday at his home in Manhattan. He was 87.

Silvers launched The New York Review of Books in 1963 with Barbara Epstein, intending to raise the standard of book reviewing. In its pages, a given book under consideration could be little more than a jumping-off point for an extended essay that directly engaged the political and cultural moment.

Updated at 4:10 p.m. ET

A literary treasure buried for more than a century has been unearthed by Zachary Turpin, a grad student at the University of Houston.

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