Heller McAlpin
Heller McAlpin is a New York-based critic who reviews books regularly for NPR.org, The Los Angeles Times, The Washington Post, The Christian Science Monitor, The San Francisco Chronicle and other publications.
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Lily King's first story collection demonstrates her range, pulling you in and making you wonder where she's going, whether it's a brutal encounter between former roommates or a sudden act of kindness.
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Powers climbs down from the treetops of The Overstory in his latest novel, to tell the story of a widowed father and his troubled son who head into the wilderness to try to figure out their lives.
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With her new essay collection, Jamison reverses the arc of The Empathy Exams by moving from the external to the internal, from others' longings and hauntings to her own.
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R.L. Maizes' new story collection is a quirky mix of humor, gravity and warmth. She's drawn to outsiders who yearn for connection and who display behaviors and feelings they're not proud of.
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Ocean Vuong's debut novel is a painful but extraordinary coming-of-age story, about a young Vietnamese American writer whose fractured family was torn by their experiences during the Vietnam War.
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For decades, Quindlen has been channeling Baby Boomers' concerns, from motherhood and life-work balance to aging and downsizing. Her new book comes with a stern warning: Grandparents, know thy place.
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Ian McEwan imagines an alternate, technologically-advanced 1982 England in his new novel, in which the development of lifelike, artificially intelligent cyborgs leads to some uncomfortable questions.
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Degas's sculpture "Little Dancer Aged Fourteen" is known the world over. But who is that young lady he depicts? Camille Laurens aims to find out — and realizes something about herself in the process.
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Marina Benjamin's book is more impressionistic and personal than scientific: Don't look here for an explanation of the chemistry or biology of nocturnal wakefulness.
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Michelle Dean's new compendium of outspoken women is as stimulating and insightful as its roster of guests — ten writers, from Dorothy Parker to Pauline Kael, who pulled no punches on the page.