Melissa Gray
Melissa Gray is a senior producer for All Things Considered.
Gray got her start at Member station WUGA in Athens, GA. From there, she went on to report on arts and cultural stories for Peach State Public Radio in Atlanta. She joined NPR in 1999.
Years later, her determination to "learn how to really bake a damn good cake" led her to experiment on the All Things Considered staff. You can read all about it in her cookbook, All Cakes Considered. Melissa lives by this motto: "We have to make our own fun. Nobody else will make it for us."
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In the world of true crime, Fall River, Mass. is known for Lizzie Borden, but another murder 60 years earlier captivated New England. Kate Winkler Dawson tells the story in The Sinners All Bow.
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With North Carolina now a toss-up this presidential election, both parties are making appeals to Black men. An older farmer and a younger restaurant owner share what's driving their votes.
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The artist builds on the Afrofuturistic world from her 2018 album in a new short story collection titled The Memory Librarian. She tells NPR about her nightmare that inspired the project.
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Every year, roughly 20,000 young people turn 18 in foster care and venture out on their own. It can be a critical moment of transition, where success is far from a guarantee.
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Picoult's pandemic-inspired story focusing on a character stranded in the Galápagos Islands highlights how events can change us — and offer perspective.
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With lyrics poking at the ways young women are scrutinized and exploited, Happier than Ever finds Eilish in some dark corners — but the pop supernova tells NPR she's got lots to feel hopeful about.
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Though best-known for his auteur work, the mastermind of Hamilton and In the Heights says it was his dream to be offered a part in someone else's musical.
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Stretch Armstrong and Bobbito Garcia of NPR's podcast What's Good explain why they think 1988 was a banner year for hip-hop.
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Streams of Thought Vol. 1, the debut solo project from the voice of The Roots, shows off a side of the rapper fans rarely get to hear.
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Christian McBride of Jazz Night in America joins NPR's Audie Cornish with a few criteria for what turns a regular composition into a canonized classic.